In case you are curious.
My Painting Process
I started with mackerel a year or two ago simply because they are easy to catch where I am (with the added bonus that they are gorgeous). I always paint from my own reference photos because I struggle with photos taken by other people, no matter how good they are.
Mackerel (and I imagine many, if not all, fish) become rigid and fade the instant they are out of the water. I'm not interested in photos of dying fish; I want to capture them as they are in their environment but without being obscured by the opacity of the North Atlantic. I took good photos when we fished for mackerel and placed them in a small tank in the bow of our boat. Even then, they had too little oxygen in that small space, and we had to throw them back quickly. For me, this is the main barrier to painting larger fish like striped bass. How do I take clear photos of different species in their element?
I often create an image from multiple photos and make thumbnail pencil sketches until I land on a composition that interests me. Sometimes I crop my photos or experiment with color or value on my computer before embarking on the final drawing.
Drawing on hot press watercolor paper takes time and if I erase too much, I risk ruining the smooth surface of the paper. Laying down water and paint on test strips is the key to making sure I have some understanding of how my chosen pigments may interact. While I have no set-in-stone process for painting mackerel, so far each painting has taught me something new.
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